As Israel intensifies its aerial campaign against Lebanon, displacing approximately half a million individuals since the U.S.-backed operation against Iran commenced, Joumana Asseily temporarily suspended operations at her Beirut gallery. This decision came amid escalating regional tensions and growing concerns for safety.
Established in 2015, Marfa’ Projects was conceived as a cultural hub showcasing regional artistic expression within the Port District of Beirut. The venue gained prominence five years later when a catastrophic explosion involving improperly stored ammonium nitrate devastated the area, resulting in over 200 fatalities. The incident caused significant structural damage to Marfa’ Projects and several other galleries in the vicinity. At the time, Asseily conveyed her intent to restore the space and resume operations.
On March 5, Asseily made the strategic choice to close the gallery due to heightened military activity targeting areas south of the city. “We had just begun to regain momentum with our current exhibition, but then we received evacuation alerts,” she explained in a phone interview with Hyperallergic on March 6. “We had to prioritize safety and evacuate quickly.” Following the temporary closure, the gallery has reopened, and Asseily has departed for Paris on a pre-scheduled professional engagement.
Although her personal residence and gallery are located outside the conflict zone, the city experienced widespread uncertainty last week as Israeli forces issued evacuation orders for multiple neighborhoods, triggering severe traffic congestion as residents sought safer ground. An Instagram post indicated that Sfeir-Semler Gallery, situated in downtown Beirut, continues to operate without interruption.
Currently, Marfa’ Projects is presenting an exhibition featuring works by Lebanese filmmaker Rania Stephan titled Isn’t It About Time. The thematic focus of the show explores apocalyptic narratives in science fiction, offering a poignant reflection on contemporary global events.
“It feels eerily relevant,” Asseily remarked, describing the exhibition’s resonance with current circumstances. “It mirrors our reality and the questions we’re grappling with today. It’s surreal, yet deeply meaningful.”
Despite the chaotic environment, Asseily remains committed to maintaining Marfa’ Projects as a platform for regional artists. “We have no intention of leaving,” she emphasized. “We collaborate with creators from this region, and there is still so much to express, to showcase, and to achieve. We can’t afford to halt our mission.”